{"id":299,"date":"2024-07-29T04:00:00","date_gmt":"2024-07-29T03:00:00","guid":{"rendered":"podlove-2024-07-27t06:35:49+00:00-61c6e36da55e657"},"modified":"2024-07-27T08:20:06","modified_gmt":"2024-07-27T07:20:06","slug":"tuwort-spezial-9-audiovisuelle-metaphern-am-beispiel-der-depression","status":"publish","type":"podcast","link":"https:\/\/www.tuwort.com\/index.php\/2024\/07\/29\/tuwort-spezial-9-audiovisuelle-metaphern-am-beispiel-der-depression\/","title":{"rendered":"tuwort spezial #9: Audiovisuelle Metaphern am Beispiel der Depression"},"content":{"rendered":"\n    \n            <div class=\"podlove-web-player intrinsic-ignore podlove-web-player-loading\" id=\"player-6a2498b19b1bc\"><root data-test=\"player--xl\" style=\"max-width:950px;min-width:260px;\">\n  <div class=\"tablet:px-6 tablet:pt-6 mobile:px-4 mobile:pt-4 flex flex-col\">\n    <div class=\"flex-col items-center mobile:flex tablet:hidden\">\n      <show-title class=\"text-sm\"><\/show-title>\n      <episode-title 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Zur K\u00f6rper- &amp; Affekt\u00e4sthetik in Film und Fernsehen. Marburg: Sch\u00fcren-Verlag.\u00a0<\/li>\n\n\n\n<li>Fahlenbrach, Kathrin (2016)\u00a0Embodied Metaphors in Film, Television, and Video Games: Cognitive Approaches. London\/New York: Routledge.\u00a0https:\/\/www.routledge.com\/products\/9781138850835\u00a0\u00a0<\/li>\n\n\n\n<li>Fahlenbrach, Kathrin (2017) \u201cAudiovisual Metaphors and Metonymies of Emotions and Depression in Moving Images\u201d. In:\u00a0Metaphor in Communication, Science and Education, ed. by Francesca Ervas, Elisabetta Gola and Maria Grazia Rossi. Berlin\/Boston: De Gruyter. 95-118.\u00a0<\/li>\n\n\n\n<li>Fahlenbrach, Kathrin (2023) Audiovisuelles Interfacing. Zur metaphorischen Gestaltung intuitiver Nutzeroberfl\u00e4chen im audiovisuellen Interfacedesign. In: Lars Grabbe, Christiane Wagner, Tobias Held (Hg.).\u00a0Kunst, Design und die technisierte \u00c4sthetik. Marburg: B\u00fcchner. 162-181.<\/li>\n\n\n\n<li>Fahlenbrach, Kathrin (2022) Audiovisual Atmospheres, Moods and Metaphoric Spaces: Aesthetically Rich Spaces in Complex TV Series. In: Cognition, Emotion, and Aesthetics in Contemporary Serial Television, ed. by H\u00e9ctor P\u00e9rez\/Ted Nannicelli. New York\/London: Routledge. 237-255<\/li>\n\n\n\n<li>Fahlenbrach, Kathrin (2018) Moving Metaphors: Affects, Movements, and Embodied Metaphors in Cinema. In:\u00a0Cinematic Metaphor. Multi-Disciplinary Responses, ed. by Sarah Greifenstein, Dorothea Horst, Thomas Scherer and Christina Schmitt. Berlin: De Gruyter. 69-92.<\/li>\n\n\n\n<li>Fahlenbrach, Kathrin (2017) \u201eSonic Spaces in Movies: Audiovisual Metaphors and Embodied Meanings in Sound Design\u201c. In:\u00a0Body, Sound and Space: Multimodal Exploration, ed. by Clemens W\u00f6llner. London\/New York: Routledge. 129-149.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Audiovisuelle Metaphern der Depression &#8211; Beispiele zum Anschauen<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Beispiel 1<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8222;Depression &#8211; Animation&#8220; von FadleElharris (01.11.2009): <a href=\"https:\/\/www.youtube.com\/watch?v=KHQmQSUGIT8\">https:\/\/www.youtube.com\/watch?v=KHQmQSUGIT8<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Beispiel 2<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8222;Melancholia&#8220; von Lars von Trier (2011): <a href=\"https:\/\/www.youtube.com\/watch?v=Ty80gJfKDlE\">https:\/\/www.youtube.com\/watch?v=Ty80gJfKDlE <\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Beispiel 3<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8222;ELUDE&#8220;, Singapure-MIT Gambit Game Lab, Doris Rusch (2010): <a href=\"http:\/\/gambit.mit.edu\/loadgame\/summer2010\/elude_play.php\">http:\/\/gambit.mit.edu\/loadgame\/summer2010\/elude_play.php<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Beispiel 4<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8222;Omori&#8220;, Omocat (2020): <a href=\"https:\/\/www.gamestar.de\/spiele\/omori,2232.html\">https:\/\/www.gamestar.de\/spiele\/omori,2232.html<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Beispiel 5<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8222;The Graduate&#8220;, Mike Nichols (1967) &#8211; Scuba Diver Scene: <a href=\"https:\/\/www.youtube.com\/watch?v=YceVzCVPMVE\">https:\/\/www.youtube.com\/watch?v=YceVzCVPMVE<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Erw\u00e4hnte Literatur zur Theorie Konzeptueller Metaphern, Visual Studies und Filmwissenschaft:<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Co\u00ebgnarts, Maarten, and Peter Kravanja. 2012. \u201cEmbodied Visual Meaning: Image Schemas in Film.\u201d Projections: The Journal of Movies and Mind 6 (2): 84\u2013101.<\/li>\n\n\n\n<li>Co\u00ebgnarts, Maarten, and Peter Kravanja, eds. 2014. Image [&amp;] Narrative. Special Issue: Metaphor, Bodily Meaning, and Cinema.Forceville, Charles. 1996. Pictorial Metaphor in Advertising. London\/New York: Routledge.<\/li>\n\n\n\n<li>Forceville, Charles. 2006. \u201cThe Source-Path-Goal Schema in the Autobiographical Journey Documentary: McElwee, Van der Keuken, Cole.\u201d The New Review of Film and Television Studies 4: 241\u2013261.<\/li>\n\n\n\n<li>Forceville, Charles. 2008. \u201cMetaphor in Pictures and Multimodal Representations.\u201d In Cambridge Handbook of Metaphor and Thought, edited by Ray Gibbs, 462\u2013482. Cambridge: Cambridge University Press.<\/li>\n\n\n\n<li>Forceville, Charles, and Eduardo Urios-Aparisi. 2009. Multimodal Metaphor. Berlin: Mouton de Gruyter.<\/li>\n\n\n\n<li>K\u00f6vecses, Zolt\u00e1n. 2002. Metaphor. A Practical Introduction. Oxford\/New York: Oxford University Press.<\/li>\n\n\n\n<li>Kappelhoff, Hermann, and Sarah Greifenstein. 2016. \u201cAudiovisual Metaphors. Embodied Meaning and Process of Fictionalization.\u201d In Embodied Metaphors in Film, Television, and Video Games, edited by Kathrin Fahlenbrach, 183\u2013201. New York: Routledge.<\/li>\n\n\n\n<li>Lakoff, George. 1987. Woman, Fire, and Dangerous Things. What Categories Reveal About the Mind. Chicago: Chicago University Press.<\/li>\n\n\n\n<li>M\u00fcller, Cornelia, and Hermann Kappelhoff. 2018. Cinematic Metaphor. Experience \u2013 Affectivity \u2013Temporality. In collaboration with Sarah Greifenstein, Dorothea Horst, Thomas Scherer, and Christina Schmitt. Berlin\/Boston: Walter de Gruyter.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Erw\u00e4hnte Literatur zu sprachlichen Metaphern der Depression:<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ka\u0142asznik, Marcelina \/ Przemys\u0142aw Staniewski. \u201c\u2018Depression\u2019 in Light of Conceptual Metaphors in German Based on Verbal Collocations.\u201d Colloquia Germanica Stetinensia 29 (2020): 187\u2013204. https:\/\/doi.org\/10.18276\/cgs.2020.29-10.<\/li>\n\n\n\n<li>Salerno, Sonja (2020): Sprachbilder der Depression. Orientierungs- und Gef\u00e4ssmetaphern im medialen Diskurs. Masterarbeit Lausanne.<\/li>\n\n\n\n<li>Judith Barkfelt (2003). \u201eBilder (aus) der Depression\u201c. Metaphorische Episoden \u00fcber depressive Episoden: Szenarien des Depressionserlebens, Konstanz: Hartung-Gorre<\/li>\n\n\n\n<li>Raiisi Fatteme, Riyassi Mina. \u201cCognitive analysis of conceptual metaphors for depression from the perspective of clinical psychologists: A qualitative study.\u201d Journal of Fundamentals of Mental Health 2022 May-Jun; 24(3): 145-151.<\/li>\n\n\n\n<li>Shi, Jiayi, and Zhaowei Khoo. \u201cWords for the Hearts: A Corpus Study of Metaphors in Online Depression Communities.\u201d Frontiers in Psychology 14 (August 30, 2023): 1227123. https:\/\/doi.org\/10.3389\/fpsyg.2023.1227123.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"author":1,"featured_media":111,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"tags":[176,190,177,185,186,179,180,181,188,178,183,175,189,182,187,184],"class_list":["post-299","podcast","type-podcast","status-publish","has-post-thumbnail","hentry","tag-audiovisuelle-metaphern","tag-black-dog","tag-depression","tag-die-reifepruefung","tag-elude","tag-filmwissenschaft","tag-konzeptuelle-metaphern","tag-lakoff-johnson","tag-lars-von-trier","tag-medienwissenschaft","tag-melancholia","tag-metaphern","tag-mike-nichols","tag-nietzsche","tag-omori","tag-the-graduate","post"],"_links":{"self":[{"href":"https:\/\/www.tuwort.com\/index.php\/wp-json\/wp\/v2\/episodes\/299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tuwort.com\/index.php\/wp-json\/wp\/v2\/episodes"}],"about":[{"href":"https:\/\/www.tuwort.com\/index.php\/wp-json\/wp\/v2\/types\/podcast"}],"author":[{"embeddable":true,"href":"https:\/\/www.tuwort.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tuwort.com\/index.php\/wp-json\/wp\/v2\/comments?post=299"}],"version-history":[{"count":3,"href":"https:\/\/www.tuwort.com\/index.php\/wp-json\/wp\/v2\/episodes\/299\/revisions"}],"predecessor-version":[{"id":302,"href":"https:\/\/www.tuwort.com\/index.php\/wp-json\/wp\/v2\/episodes\/299\/revisions\/302"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tuwort.com\/index.php\/wp-json\/wp\/v2\/media\/111"}],"wp:attachment":[{"href":"https:\/\/www.tuwort.com\/index.php\/wp-json\/wp\/v2\/media?parent=299"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tuwort.com\/index.php\/wp-json\/wp\/v2\/tags?post=299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}